apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Repentant Saint Peter
The Repentant Saint Peter by Francisco Goya

plate no. 7176

The Repentant Saint Peter

Francisco Goya, 1824

oil, canvasRomanticismreligious paintingfigurereligiousportraitbeardkeysrobes
some experience helpful

Recreating this painting will help students develop skills in dramatic lighting, portraiture, and expressive brushwork. It's a good exercise in capturing mood and emotion through color and texture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
5
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the key.

  2. step 02

    Block in the large areas of color, starting with the darkest tones.

  3. step 03

    Establish the light source and begin to build up the highlights on the face, hands, and robes.

  4. step 04

    Develop the details of the face, paying attention to the shadows and wrinkles.

  5. step 05

    Add texture to the robes and beard using visible brushstrokes.

  6. step 06

    Refine the details of the keys and the surrounding area.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the drama.

color palette

primary · ultramarine blue · yellow ochre · ivory black

secondary · burnt umber · titanium white

Achieve the dark blues by mixing ultramarine with black. Use yellow ochre and white for the golden robes. Mix burnt umber and black for the darkest shadows.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overblending, which can flatten the image.
  • →Getting the proportions of the figure wrong.
  • →Not establishing a strong enough light source.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to start with a mid-value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke