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home·artworks·The Remorse of Nero After the Murder of His Mother
The Remorse of Nero After the Murder of His Mother by John William Waterhouse

plate no. 0490

The Remorse of Nero After the Murder of His Mother

John William Waterhouse, 1878

oil, canvasRomanticismmythological paintingfigureinteriorcolumnsdraperyarchitecturemythology
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and architectural details with subtle value gradations. It also provides practice in composing a complex scene with a clear focal point.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors using thin washes.

  3. step 03

    Establish the light source and begin building up values, focusing on the figure.

  4. step 04

    Develop the drapery folds and textures, paying attention to how light interacts with the fabric.

  5. step 05

    Render the architectural details, such as the columns and marble, with careful attention to perspective and value.

  6. step 06

    Refine the skin tones and facial features, capturing the expression of remorse.

  7. step 07

    Add details such as the laurel wreath, jewelry, and decorative elements.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · cadmium red · yellow ochre · raw umber

secondary · ivory black · titanium white · burnt sienna

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, adjusting the proportions for highlights and shadows. Create the red drapery by layering cadmium red with glazes of burnt sienna and alizarin crimson.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversaturating the colors.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle value changes in the drapery folds.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.

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