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home·artworks·The Relic
The Relic by Joaquín Sorolla

plate no. 1390

The Relic

Joaquín Sorolla, 1893

oil, canvasImpressionismgenre paintingfiguresinteriorreligiousarchitecturepeoplealtar
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex interior space and understanding subtle color variations to create depth and atmosphere. It will also provide practice in capturing the nuances of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background details, focusing on the architectural elements and the subtle variations in light and shadow.

  4. step 04

    Begin to build up the figures, paying attention to the folds of their clothing and the subtle shifts in color.

  5. step 05

    Refine the facial features and expressions of the figures, using small brushstrokes and subtle color variations.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the patterns on the floor and the textures of the various surfaces.

  8. step 08

    Make final adjustments to the composition and color balance to create a cohesive and harmonious image.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black · cadmium yellow light

Achieve the warm, muted tones by mixing burnt umber and yellow ochre with varying amounts of white. Use small amounts of black to create shadows and depth. Add touches of cadmium yellow light to create highlights and warmth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and bright.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, raw sienna, ivory black, cadmium yellow light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures and effects.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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