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home·artworks·The Refusal from Burn's "Duncan"
The Refusal from Burn's "Duncan" by David Wilkie

plate no. 6910

The Refusal from Burn's "Duncan"

David Wilkie

oil, panelRomanticismgenre paintingfiguresinteriorclothingfurnituredogroom
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and creating a sense of depth through atmospheric perspective. It also offers practice in capturing complex lighting and shadow patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin building up the values, focusing on the areas of strongest contrast.

  4. step 04

    Develop the details of the faces, paying close attention to the subtle variations in skin tone.

  5. step 05

    Work on the textures of the clothing and furniture, using a variety of brushstrokes to create visual interest.

  6. step 06

    Refine the background, softening the edges and using atmospheric perspective to create depth.

  7. step 07

    Add the final details, such as the jewelry box and the dog.

  8. step 08

    Glaze the painting to unify the colors and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing earth pigments with small amounts of red, yellow, and blue. Use white to lighten values and create highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating too much contrast and making the painting look harsh.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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