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home·artworks·The Reflection
The Reflection by Edward E. Simmons

plate no. 2525

The Reflection

Edward E. Simmons

oilImpressionismgenre paintingfigureportraitmirrorreflectiondressindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically capturing subtle skin tones and rendering light and shadow on the face and clothing. It will also improve their ability to create a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, mirror, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  4. step 04

    Develop the details of the dress, focusing on the folds and drapery.

  5. step 05

    Paint the mirror and the reflection, capturing the subtle distortions and reflections.

  6. step 06

    Add details to the background, creating a sense of depth and atmosphere.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red light · viridian

Mix skin tones by blending yellow ochre, burnt umber, and titanium white, adding small amounts of cadmium red for warmth. Use ultramarine blue and white for cooler shadows. Create the background with mixtures of white, blue, and yellow ochre.

techniques

  • ·portrait painting
  • ·blending
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value in creating form.
  • →Getting lost in details too early in the process.
  • →Ignoring the subtle color shifts in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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