
plate no. 2558
John Lavery, 1923
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in color mixing to achieve subtle variations in skin tones and drapery.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and chair.
Establish the background with broad strokes of red and brown, creating a sense of depth.
Block in the main shapes of the figure, including the dress, arms, and face, using simplified color masses.
Refine the facial features, paying attention to the subtle variations in skin tone and the play of light and shadow.
Develop the details of the dress, chair, and rose, adding texture and visual interest.
Blend and soften edges to create a sense of atmosphere and unity.
Add final highlights and shadows to enhance the three-dimensionality of the forms.
Glaze with thin layers of color to unify the painting and create depth.
color palette
primary · crimson red · ivory black · raw umber · yellow ochre
secondary · cadmium red · ultramarine blue · burnt sienna
Achieve skin tones by mixing yellow ochre, crimson red, and ivory black. Create variations in the red drapery by adding raw umber and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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