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home·artworks·The Red Oak (no.2)
The Red Oak (no.2) by Willard Metcalf

plate no. 6292

The Red Oak (no.2)

Willard Metcalf, 1911

oilImpressionismlandscapetreeslandscapehillsskyfoliageshadows
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, and practice layering brushstrokes to create texture and depth in foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the sky with a light blue wash, adding subtle variations in tone.

  3. step 03

    Block in the main areas of the landscape with broad strokes of green and yellow.

  4. step 04

    Begin layering colors to create the foliage of the trees, focusing on the red oak as the focal point.

  5. step 05

    Add shadows to the landscape to create depth and dimension.

  6. step 06

    Refine the details of the trees and foliage, using smaller brushstrokes to create texture.

  7. step 07

    Add highlights to the landscape to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · viridian green · cadmium yellow · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · titanium white

Mix greens by combining viridian green and cadmium yellow. Achieve the red-brown hues of the oak by mixing burnt sienna with cadmium red and a touch of ultramarine blue. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·wet-on-dry
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to create enough contrast between light and shadow.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Using too much paint and creating a thick, heavy texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·view finder

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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