apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Red House. Wangford.
The Red House. Wangford. by Stanley Spencer

plate no. 4900

The Red House. Wangford.

Stanley Spencer, 1926

oil, canvasNeo-Romanticismlandscapehouselandscapefieldtreesskygarden
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, field, and trees, paying attention to proportions.

  2. step 02

    Block in the sky with a thin layer of light gray.

  3. step 03

    Apply a base layer of burnt sienna and red for the house, varying the tones to create depth.

  4. step 04

    Add the field with a mix of yellow ochre, green, and white, using short, broken brushstrokes.

  5. step 05

    Paint the trees and bushes with darker greens and browns, adding highlights with lighter shades.

  6. step 06

    Define the details of the house, such as windows and roof tiles.

  7. step 07

    Add the haystacks in the field, using a dry brush technique to create texture.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · burnt sienna · yellow ochre · titanium white · ultramarine blue

secondary · raw umber · cadmium yellow · viridian green

Mix burnt sienna and ultramarine blue for the darker tones of the house. Use yellow ochre and white for the lighter areas of the field. Add a touch of viridian green to the yellow ochre for the grass.

techniques

  • ·dry brush
  • ·layering
  • ·broken color
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors straight from the tube without mixing them.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the proportions of the house and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Landscape with Magnolia

Landscape with Magnolia

Stanley Spencer

Solskin

Solskin

Harald Sohlberg