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home·artworks·The red blouse
The red blouse by Berthe Morisot

plate no. 6446

The red blouse

Berthe Morisot, 1885

oil, canvasImpressionismportraitportraitwomanhatflowersbirdcagegarden
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing light and shadow with color variations. It also encourages simplification of details and focusing on the overall impression.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, hat, and birdcage.

  2. step 02

    Block in the main areas of color: the red blouse, the skin tones, the hat, and the background foliage.

  3. step 03

    Start adding layers of color to the blouse, using short, directional brushstrokes to suggest form and texture.

  4. step 04

    Develop the face, paying attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Work on the hat, using broken brushstrokes to create a sense of texture and light.

  6. step 06

    Add details to the background, simplifying the forms and focusing on the overall color harmony.

  7. step 07

    Refine the details of the flowers and birdcage, using small, precise brushstrokes.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · red · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · cadmium yellow

Mix various shades of red by adding white, umber, or a touch of blue. Create skin tones by mixing white, yellow ochre, and a touch of red and umber. Achieve the foliage colors by mixing blues, yellows, and umbers.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Getting bogged down in trying to create a perfect likeness of the figure.
  • →Using too much detail in the background, which can distract from the focal point.
  • →Not paying attention to the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (red, yellow ochre, titanium white, ultramarine blue, burnt umber, cadmium yellow)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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