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home·artworks·The railway station, Redfern
The railway station, Redfern by Arthur Streeton

plate no. 8910

The railway station, Redfern

Arthur Streeton, 1893

oilImpressionismgenre paintingcityscaperainfiguresbuildingscarriagesstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in wet surfaces. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Block in the larger shapes of the buildings, trees, and ground, using muted colors.

  4. step 04

    Add the figures and carriages, paying attention to their relative sizes and positions.

  5. step 05

    Create the reflections on the wet ground using slightly lighter and brighter versions of the colors above.

  6. step 06

    Refine the details, such as the architectural elements and the figures' clothing.

  7. step 07

    Add highlights to suggest the light reflecting off the wet surfaces.

  8. step 08

    Soften edges and blend colors to create a sense of atmosphere.

color palette

primary · gray · ochre · burnt umber · white

secondary · blue · green · red

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use a limited palette to maintain color harmony.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the colors too bright or saturated.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Ignoring the importance of reflections in creating the illusion of a wet surface.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (gray, ochre, burnt umber, white, blue)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface to facilitate blending. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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