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home·artworks·The Races at Longchamps from the Grandstand
The Races at Longchamps from the Grandstand by Giuseppe de Nittis

plate no. 8775

The Races at Longchamps from the Grandstand

Giuseppe de Nittis, 1883

oil, canvasImpressionismgenre paintingcrowdfiguresrace trackhorsesgrandstandsky
experienced study

Recreating this painting will develop skills in depicting crowds with simplified forms and creating atmospheric perspective to suggest depth. It also provides practice in rendering figures in varying degrees of detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the grandstand, racetrack, and horizon line.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, field, and grandstand.

  3. step 03

    Begin adding details to the grandstand, focusing on the shapes and forms of the figures.

  4. step 04

    Use small, quick brushstrokes to suggest the crowd in the distance.

  5. step 05

    Paint the horses and jockeys on the racetrack, paying attention to their movement and form.

  6. step 06

    Refine the details of the figures in the foreground, adding highlights and shadows to create depth.

  7. step 07

    Add final touches to the sky and field, blending colors to create a sense of atmosphere.

  8. step 08

    Add details to the architecture

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · cadmium red · cerulean blue · titanium white

Mix yellow ochre with burnt umber and white for the field. Use a combination of burnt umber and ivory black for the figures. Add small amounts of cadmium red to the sky for warmth.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·implied detail
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early
  • →Creating overly uniform figures
  • →Failing to establish a sense of depth
  • →Overworking the painting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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