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home·artworks·The Quay at Dinard
The Quay at Dinard by Ethel Carrick

plate no. 9464

The Quay at Dinard

Ethel Carrick, 1911

oilImpressionismgenre paintingfiguresharborboatswaterskycoastline
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color and simplifying complex scenes into impressionistic forms. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, boat, and main groups of figures.

  2. step 02

    Block in the large areas of color: sky, water, land, and the general tones of the figures.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and landscape.

  4. step 04

    Add details to the boat and figures, focusing on capturing their forms with loose brushstrokes.

  5. step 05

    Refine the colors and values, paying attention to the subtle variations in light and shadow.

  6. step 06

    Add texture to the foreground and background using broken color and varied brushstrokes.

  7. step 07

    Glaze or scumble colors to unify the painting and create atmospheric perspective.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · alizarin crimson · burnt umber · viridian

Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt umber for the land and figures, adding touches of alizarin crimson for warmth. Mix white with small amounts of other colors to create the light tones in the clothing and umbrellas.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·impressionistic brushwork

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Making the figures too stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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