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home·artworks·The Quarry
The Quarry by John Frederick Herring Sr.

plate no. 5433

The Quarry

John Frederick Herring Sr., 1858

oilRomanticismgenre paintinghorsesfiguresrockslandscapecloudsquarry
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures of stone and animal fur, as well as understanding atmospheric perspective and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horses, figures, and major rock formations.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky and distant mountain, paying attention to the subtle color variations in the clouds.

  4. step 04

    Begin to define the rock formations, using a range of browns, grays, and ochres to create texture and form.

  5. step 05

    Paint the horses, starting with the darkest areas and gradually adding highlights to create volume.

  6. step 06

    Add the figures, paying attention to the folds and shadows in their clothing.

  7. step 07

    Refine the details, such as the harnesses, chains, and small rocks in the foreground.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · titanium white · yellow ochre · ultramarine blue

secondary · raw sienna · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white for highlights on the horses and rocks. Add small amounts of cadmium red to warm up the browns and grays.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle color variations in the sky and rocks.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, titanium white, yellow ochre, ultramarine blue, raw sienna, cadmium red, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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