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home·artworks·The Pursuit
The Pursuit by John Wilson Carmichael

plate no. 0052

The Pursuit

John Wilson Carmichael

oilRomanticismmarinashipsseawavesskycloudsmarina
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and creating dynamic wave forms using tonal variations. It also provides practice in rendering complex shapes like sailing ships.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, ship positions, and major wave patterns.

  2. step 02

    Establish the overall tonal range with a thin wash of burnt umber and raw sienna, focusing on the sky and sea.

  3. step 03

    Block in the major cloud formations and the darker areas of the waves, using a mix of umber, sienna, and black.

  4. step 04

    Begin adding details to the ships, starting with the hulls and masts, then the sails.

  5. step 05

    Develop the wave forms by layering lighter tones of yellow ochre and white over the darker base, creating highlights and shadows.

  6. step 06

    Refine the details of the ships, adding rigging, flags, and other small elements.

  7. step 07

    Soften edges and blend tones to create atmospheric perspective, especially for the distant ship.

  8. step 08

    Add final highlights and details to the waves and sky to enhance the sense of drama and movement.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Achieve the muted tones by mixing the primary colors with small amounts of black and white. Use yellow ochre to create highlights on the waves and ships. Add a touch of red to create the flag.

techniques

  • ·tonal layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Creating waves that appear flat or static.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a medium texture to facilitate layering and blending. Consider using a toned canvas to speed up the initial stages.

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