apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·THE PUNCH AND JUDY SHOW
THE PUNCH AND JUDY SHOW by Louis Wain

plate no. 8877

THE PUNCH AND JUDY SHOW

Louis Wain

oilArt Nouveau (Modern)illustrationcatspuppet showbuildingsstreetfiguresanimals
some experience helpful

Recreating this painting will help students develop skills in tonal value and creating depth through atmospheric perspective. It also provides practice in depicting animal anatomy and anthropomorphic characters.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the buildings, puppet show booth, and the overall arrangement of the cats.

  2. step 02

    Establish the horizon line and the vanishing point to guide the perspective of the street and buildings.

  3. step 03

    Begin with a light wash of diluted brown or sepia to establish the base tones for the sky, street, and buildings.

  4. step 04

    Add darker tones to the buildings and the cats in the foreground, gradually building up the value contrast.

  5. step 05

    Focus on rendering the details of the cats' faces and bodies, paying attention to their individual poses and expressions.

  6. step 06

    Add details to the puppet show booth and the puppet character.

  7. step 07

    Use fine lines to define the edges of the buildings and the cats, adding details like whiskers and fur texture.

  8. step 08

    Apply final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · sepia · ivory black · raw umber

secondary · white · light grey

Mix sepia with varying amounts of water to achieve different tonal values. Use white to create highlights and light grey tones.

techniques

  • ·wash
  • ·dry brushing
  • ·atmospheric perspective
  • ·line work
  • ·tonal value

common pitfalls

  • →Overworking the details too early
  • →Ignoring the perspective of the buildings
  • →Creating flat, lifeless cats
  • →Using too much dark value too soon

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·sepia watercolor paint
  • ·ivory black watercolor paint
  • ·raw umber watercolor paint
  • ·round brushes (various sizes)
  • ·water container
  • ·palette

optional

  • ·white gouache
  • ·fine liner pen
  • ·kneaded eraser

Use a smooth watercolor paper for best results. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois