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home·artworks·The Prodigal's Return
The Prodigal's Return by Edward Poynter

plate no. 7587

The Prodigal's Return

Edward Poynter, 1869

oil, canvasRomanticismreligious paintingfiguresreligious scenearchitecturefoliagerobesembrace
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating realistic skin tones. It also provides practice in depicting complex emotions through facial expressions and body language.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors of the figures, architecture, and foliage using thin washes of paint.

  3. step 03

    Develop the skin tones of the figures, paying attention to highlights and shadows to create a sense of volume.

  4. step 04

    Render the drapery of the robes, focusing on the folds and highlights to convey the texture and weight of the fabric.

  5. step 05

    Add details to the architecture, such as the steps, columns, and walls, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Paint the foliage, using a combination of light and dark greens to create a sense of depth and realism.

  7. step 07

    Refine the details of the figures' faces, paying attention to the eyes, nose, and mouth to convey their emotions.

  8. step 08

    Add final touches and highlights to the painting to enhance the overall effect.

color palette

primary · burnt umber · ultramarine blue · cadmium red · yellow ochre

secondary · titanium white · ivory black · sap green

Mix skin tones by blending burnt umber, yellow ochre, cadmium red, and titanium white. Create the blue robes by mixing ultramarine blue with ivory black and titanium white for highlights. Achieve the red robe by mixing cadmium red with burnt umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Flat or lifeless skin tones.
  • →Poorly rendered drapery that lacks depth and texture.
  • →Overworking the details and losing the overall sense of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ultramarine blue, cadmium red, yellow ochre, titanium white, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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