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The Prisoner by Evelyn De Morgan

plate no. 8820

The Prisoner

Evelyn De Morgan, 1908

oilRomanticismgenre paintingfigurewindowlandscapedressheadscarfcurtain
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery. It also offers practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and the placement of the window.

  2. step 02

    Establish the background colors, starting with the wall and the landscape seen through the window.

  3. step 03

    Block in the main colors of the figure's dress and headscarf, paying attention to the folds and shadows.

  4. step 04

    Begin to refine the skin tones, using thin layers of paint to build up the highlights and shadows.

  5. step 05

    Add details to the headscarf, including the pattern and the pearls.

  6. step 06

    Paint the peacock feather on the shoulder, carefully rendering the intricate details.

  7. step 07

    Refine the hands and jewelry, paying attention to the highlights and shadows.

  8. step 08

    Add final details and adjust the overall color balance.

color palette

primary · ultramarine blue · alizarin crimson · yellow ochre · titanium white

secondary · burnt umber · cadmium red · viridian

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and blue. The dress color can be created by mixing ultramarine blue and alizarin crimson, adjusting the ratio to achieve the desired shade.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details before establishing the overall composition.
  • →Not using enough layers to build up the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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