apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Priest
The Priest by Frits Thaulow

plate no. 5227

The Priest

Frits Thaulow

oil, canvasImpressionismlandscapetreesbuildingslandscapefigurevillagepath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, layering, and creating texture with brushstrokes. It also provides practice in depicting light filtering through trees and rendering brickwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, buildings, and path.

  2. step 02

    Establish the sky with a thin wash of light, warm colors.

  3. step 03

    Block in the dark values of the trees and buildings, paying attention to the overall shapes.

  4. step 04

    Begin layering in the mid-tones and highlights, working from the background to the foreground.

  5. step 05

    Add details to the trees, such as leaves and branches, using varied brushstrokes.

  6. step 06

    Render the brickwork of the buildings, using a dry brush technique to create texture.

  7. step 07

    Paint the figure, keeping it simple and suggestive.

  8. step 08

    Add final details and adjust values to create depth and atmosphere.

color palette

primary · viridian green · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Mix greens by combining viridian green with yellow ochre and white. Achieve brick tones by mixing cadmium red, burnt umber, and a touch of white. Use ultramarine blue to darken the greens and browns.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details, especially in the foliage and brickwork.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too much detail in the background, which can flatten the image.
  • →Not varying brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (viridian green, burnt umber, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann