apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Presentation of Christ (from Altar of Philip the Bold)
The Presentation of Christ (from Altar of Philip the Bold) by Melchior Broederlam

plate no. 5472

The Presentation of Christ (from Altar of Philip the Bold)

Melchior Broederlam, 1399

wood, temperaInternational Gothicreligious paintingfiguresreligious scenearchitectureinfantrobeshalo
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through layering and color variation. It also provides practice in painting intricate details and patterns.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements.

  2. step 02

    Block in the background colors, starting with the furthest elements.

  3. step 03

    Establish the basic shapes and values of the figures.

  4. step 04

    Begin layering colors to define the drapery folds and facial features.

  5. step 05

    Add details to the architectural elements and the floor tiles.

  6. step 06

    Refine the light and shadow on the figures to create depth.

  7. step 07

    Paint the halos and other gilded details.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · red ochre · ivory black · titanium white

secondary · gold · burnt umber · yellow ochre

Mix various shades of blue by combining ultramarine with ivory black and white. Create flesh tones by blending red ochre, white, and a touch of yellow ochre. Achieve gold tones by mixing yellow ochre with a touch of burnt umber.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·rendering drapery

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures
  • →muddying colors by over-mixing
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·ultramarine blue oil paint
  • ·red ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·gold leaf

A smooth canvas surface is recommended for achieving the fine details in this painting. Tempera paint is the original medium, but oil paints can be used to achieve a similar effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Calendar: January (Banquet Scene)

Calendar: January (Banquet Scene)

Limbourg brothers

Archangel Michael

Archangel Michael

Álvaro Pires de Évora

Christ as Man of Sorrow

Christ as Man of Sorrow

Stefan Lochner

Virgem Com O Menino

Virgem Com O Menino

Álvaro Pires de Évora

Petrarch's Virgil (title page)

Petrarch's Virgil (title page)

Simone Martini

David Imagines Christ Elevated Above All Other Beings

David Imagines Christ Elevated Above All Other Beings

Limbourg brothers

Heavenly Host

Heavenly Host

Limbourg brothers

Sts. Catherine, Hubert and Quirinus

Sts. Catherine, Hubert and Quirinus

Stefan Lochner