apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Post Bag
The Post Bag by Marcus Stone

plate no. 8853

The Post Bag

Marcus Stone

oilRomanticismgenre paintingfiguresgardenarchitecturewatertreesflowers
some experience helpful

Recreating this painting will help students develop skills in rendering figures in classical poses, creating atmospheric perspective, and capturing the nuances of light and shadow in a complex outdoor setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the overall color scheme with a thin wash of warm undertones.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and drapery.

  4. step 04

    Develop the background elements, gradually adding detail to the trees, water, and architecture.

  5. step 05

    Refine the figures, adding highlights and shadows to create depth and form.

  6. step 06

    Add details to the clothing, faces, and hands of the figures.

  7. step 07

    Paint the foreground elements, including the flowers and steps.

  8. step 08

    Add final glazes and highlights to enhance the overall effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Achieve the warm, golden tones by mixing yellow ochre, burnt umber, and titanium white. Use ultramarine blue and burnt umber to create muted greens. Mix cadmium red with white for the red coat.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Getting the figure proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke