
plate no. 9600
T. C. Steele, 1914
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees and the horizon line.
Establish the sky with a light blue wash, blending it softly.
Block in the main shapes of the trees with broad strokes of yellow, green, and orange.
Add darker values to the trees to create shadows and define their forms.
Paint the foliage in the foreground with a mix of reds, oranges, and browns, using short, broken brushstrokes.
Develop the background landscape with muted colors to create a sense of distance.
Add details to the tree trunks and branches, using thin lines and varying the pressure on the brush.
Refine the overall painting, paying attention to the balance of colors and values.
color palette
primary · yellow ochre · ultramarine blue · burnt sienna
secondary · cadmium orange · sap green · titanium white
Mix greens by blending yellow ochre and ultramarine blue. Achieve various shades of brown by combining burnt sienna with ultramarine blue and small amounts of yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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