apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Pool of Bethesda
The Pool of Bethesda by David Roberts

plate no. 4232

The Pool of Bethesda

David Roberts

oilRomanticismcityscapecityscapearchitecturefigureswallsskyMiddle East
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It will also provide practice in rendering architectural details and figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the city walls and buildings.

  2. step 02

    Establish the horizon line and the basic layout of the foreground elements.

  3. step 03

    Block in the large areas of color, starting with the sky and distant buildings.

  4. step 04

    Gradually add details to the architecture, focusing on the play of light and shadow.

  5. step 05

    Paint the figures in the foreground, paying attention to their poses and clothing.

  6. step 06

    Refine the details of the landscape, including the trees and vegetation.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · raw sienna · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Mix raw sienna and ultramarine blue with white to create the various tones of the sky and distant buildings. Use burnt umber and yellow ochre to create the warm tones of the walls and foreground. Add small amounts of cadmium red to warm up the browns.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Getting the perspective wrong, resulting in a distorted image.
  • →Overworking the details, making the painting look stiff and unnatural.
  • →Using colors that are too saturated, creating a jarring effect.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Medium gloss
  • ·Easel
  • ·Color wheel

Use a canvas with a medium texture to allow for better paint adhesion. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke