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home·artworks·The point of the port of Saint-Tropez
The point of the port of Saint-Tropez by Francis Picabia

plate no. 0745

The point of the port of Saint-Tropez

Francis Picabia, 1900

oil, canvasImpressionismlandscapeboatsbuildingswaterskylandscaperocks
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and capturing reflections in water. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the buildings, boats, shoreline, and distant mountains.

  2. step 02

    Establish the sky with light blue and pink hues, blending softly.

  3. step 03

    Block in the large shapes of the buildings with warm whites and grays, indicating the light source.

  4. step 04

    Paint the red sails of the boats, varying the intensity of the red to create depth.

  5. step 05

    Add the dark tones of the boats and shoreline, using browns and blacks.

  6. step 06

    Create the water with layers of blues, greens, and whites, capturing the reflections of the boats and buildings.

  7. step 07

    Add details to the rocks and shoreline, using dry brush techniques to create texture.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · burnt umber · raw sienna · viridian

Mix various shades of blue and white for the sky and water. Use red and yellow ochre for the buildings and shoreline. Add burnt umber to darken colors and create shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the sky and water.
  • →Making the reflections too symmetrical or detailed.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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