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home·artworks·The Plain of Gennevilliers from the Hills of Argenteuil
The Plain of Gennevilliers from the Hills of Argenteuil by Gustave Caillebotte

plate no. 2451

The Plain of Gennevilliers from the Hills of Argenteuil

Gustave Caillebotte, 1888

oil, canvasImpressionismlandscapelandscapefieldsrivertreesskyhills
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, river, and field divisions.

  2. step 02

    Block in the sky with a thin wash of yellow and orange, blending smoothly.

  3. step 03

    Establish the basic colors of the fields using broad strokes, varying hues of green, yellow, and brown.

  4. step 04

    Paint the river with blues and purples, reflecting the sky and surrounding landscape.

  5. step 05

    Add the trees as vertical accents, using darker greens and browns.

  6. step 06

    Develop the foreground with detailed brushwork, focusing on the grasses and foliage.

  7. step 07

    Refine the details of the distant hills and buildings, using muted colors to create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and texture of the landscape.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the muted tones by mixing complementary colors. Use white to create lighter values and atmospheric haze. Mix greens by combining blues and yellows with a touch of brown.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the atmospheric perspective, making the distant elements too sharp.
  • →Getting lost in details too early, before establishing the overall composition.
  • →Using too much paint, obscuring the texture of the canvas.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·oil paints (see color palette)

optional

  • ·easel
  • ·palette
  • ·painting medium

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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