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home·artworks·The Penance of Eleanor, Duchess of Gloucester
The Penance of Eleanor, Duchess of Gloucester by Edwin Austin Abbey

plate no. 5669

The Penance of Eleanor, Duchess of Gloucester

Edwin Austin Abbey, 1900

oil, canvasRomanticismhistory paintingfiguresrobescrowdhistoricalstone groundarchitecture
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, managing a limited color palette to create depth, and depicting figures in a dramatic narrative scene. It also provides practice in creating a sense of depth and atmosphere through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones and white.

  3. step 03

    Begin refining the details of the figures, focusing on the drapery and facial expressions.

  4. step 04

    Develop the background figures, keeping them darker and less detailed to create depth.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Refine the textures of the stone ground and other surfaces.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and mood.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Achieve the various shades of robes by mixing black, umber, and crimson. Use white to create highlights and lighter tones. Mix yellow ochre with umber and white for the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Getting lost in the details too early without establishing the overall values.
  • →Overworking the painting and losing the sense of atmosphere.
  • →Failing to create a strong focal point.
  • →Inaccurate proportions of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a high-quality canvas primed with oil-based primer for best results. Consider using a medium to speed up drying time.

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