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home·artworks·The Passing of Robin Hood
The Passing of Robin Hood by N.C. Wyeth

plate no. 2711

The Passing of Robin Hood

N.C. Wyeth, 1917

oilRomanticismillustrationfiguresinteriorwindowbow and arrowbedarchitecture
some experience helpful

Recreating this painting will help students understand how to depict figures in a realistic setting with subtle lighting and how to create depth using value and color temperature changes. It also provides practice in rendering textures like fabric and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the window.

  2. step 02

    Establish the main light source and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the background colors, starting with the walls and window.

  4. step 04

    Begin layering the colors of the figures, paying attention to the light and shadow on their forms.

  5. step 05

    Refine the details of the faces and clothing, using smaller brushes.

  6. step 06

    Add the details of the bow and arrow, and the window frame.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · ultramarine blue · viridian green · cadmium red light

Mix various shades of white with small amounts of yellow ochre and burnt umber for the walls. Use ultramarine blue and white for the sky seen through the window. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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