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home·artworks·The Outskirts of London. A View Looking towards Queen Square
The Outskirts of London. A View Looking towards Queen Square by Thomas Jones

plate no. 4123

The Outskirts of London. A View Looking towards Queen Square

Thomas Jones, 1786

oilRomanticismcityscapecityscapebuildingsskyfieldstreesriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth. Students will also practice rendering architectural details in a simplified manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, buildings, and foreground.

  2. step 02

    Establish the horizon line and the placement of the buildings.

  3. step 03

    Block in the sky with a light blue-gray wash, blending the colors softly.

  4. step 04

    Paint the distant buildings with muted yellows, browns, and grays, using a small brush for details.

  5. step 05

    Add the green fields with varying shades of green, creating depth with darker tones in the foreground.

  6. step 06

    Paint the river with blues and greens, reflecting the sky and surrounding landscape.

  7. step 07

    Add details to the buildings, such as windows and architectural features, using a fine brush.

  8. step 08

    Refine the foreground with details like paths, shadows, and small vegetation.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White

secondary · Burnt Umber · Cadmium Yellow Light · Sap Green

Mix different shades of green by combining yellow ochre, prussian blue, and white. Use burnt umber to create earthy tones and shadows.

techniques

  • ·atmospheric perspective
  • ·color layering
  • ·dry brushing
  • ·scumbling
  • ·simplified architectural rendering

common pitfalls

  • →Overworking the details in the buildings.
  • →Creating too much contrast in the foreground.
  • →Not achieving a sense of depth in the sky.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·Prussian Blue oil paint
  • ·Yellow Ochre oil paint
  • ·Titanium White oil paint
  • ·Palette
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a limited palette to achieve the muted tones of the original painting. Thin the paint with linseed oil for smoother blending.

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oil painting for beginners →how to learn by studying the masters →
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