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home·artworks·The Orphan
The Orphan by August Friedrich Schenck

plate no. 4232

The Orphan

August Friedrich Schenck, 1885

oil, canvasRomanticismanimal paintingsheepcrowssnowfenceskylandscape
some experience helpful

Recreating this painting will help students develop skills in depicting animal anatomy and fur texture, as well as creating a sense of depth and atmosphere using subtle color variations and soft brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the sheep, crows, and fence.

  2. step 02

    Establish the overall warm tone of the sky and snow with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the dark masses of the crows using a mix of ivory black and burnt umber.

  4. step 04

    Begin building up the texture of the sheep's wool with short, broken brushstrokes of white, gray, and brown.

  5. step 05

    Add details to the fence and foreground, paying attention to the subtle variations in color and value.

  6. step 06

    Refine the shapes and details of the crows, adding highlights and shadows to create form.

  7. step 07

    Glaze thin layers of color to unify the painting and create atmosphere.

  8. step 08

    Add final highlights and details to the sheep and crows.

color palette

primary · yellow ochre · burnt sienna · ivory black · titanium white

secondary · raw umber · payne's gray

Achieve the warm tones by mixing yellow ochre and burnt sienna in varying proportions. Use ivory black and burnt umber for the dark areas, and mix white with small amounts of other colors to create subtle grays and browns for the snow and sheep.

techniques

  • ·dry brush texture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the crows too uniform and lacking in individual character.
  • →Failing to capture the soft, woolly texture of the sheep.
  • →Creating harsh lines and edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: yellow ochre, burnt sienna, ivory black, titanium white, raw umber
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall warm tone of the painting.

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oil painting for beginners →how to learn by studying the masters →
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