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home·artworks·The Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26 June 1926
The Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26 June 1926 by John Lavery

plate no. 8015

The Opening of the Modern Foreign and Sargent Galleries at the Tate Gallery, 26 June 1926

John Lavery, 1926

oilImpressionismhistory paintingfiguresinteriorpaintingsarchitecturegalleryevent
experienced study

Recreating this painting will help students develop skills in depicting figures in space, understanding atmospheric perspective, and capturing the nuances of light within an interior setting. It also provides practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the large shapes of color, focusing on the dominant red of the walls and the darker tones of the figures.

  3. step 03

    Develop the background paintings, using simplified shapes and colors to suggest depth.

  4. step 04

    Refine the figures, paying attention to their poses and the fall of light on their forms.

  5. step 05

    Add details to the architectural elements, such as the doorway and the frames of the paintings.

  6. step 06

    Introduce highlights and shadows to create depth and dimension.

  7. step 07

    Use small brushstrokes to add texture and detail to the clothing and faces of the figures.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and atmospheric painting.

color palette

primary · red ochre · ivory black · titanium white

secondary · ultramarine blue · yellow ochre

Achieve the various shades of red by mixing red ochre with varying amounts of ivory black and titanium white. Use ultramarine blue to create cooler shadows and to mix with yellow ochre for muted greens.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·figure drawing

common pitfalls

  • →Getting lost in details too early before establishing the overall composition.
  • →Creating figures that are too stiff or unnatural.
  • →Failing to capture the atmospheric perspective and depth of the interior.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·red ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a medium-tooth canvas to allow for expressive brushstrokes. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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