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home·artworks·The Old Water Mill
The Old Water Mill by Hermann Ottomar Herzog

plate no. 3299

The Old Water Mill

Hermann Ottomar Herzog

oil, canvasRomanticismlandscapewaterfallmilltreesmountainsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering the movement of water. It also provides practice in depicting complex natural textures like foliage and rocks.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the waterfall, the mill buildings, the mountains, and the sky.

  2. step 02

    Establish the overall value structure by blocking in the dark areas (trees, shadows) and light areas (sky, highlights on water).

  3. step 03

    Paint the sky with soft, blended colors, creating a sense of depth and atmosphere.

  4. step 04

    Develop the background mountains using muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Focus on the waterfall, using short, broken brushstrokes to capture the movement and texture of the water.

  6. step 06

    Add details to the mill buildings, paying attention to the light and shadow patterns.

  7. step 07

    Paint the foreground foliage and rocks, adding texture and detail with dry brush techniques.

  8. step 08

    Add the figures in the foreground, paying attention to their proportions and placement within the scene.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten colors and create highlights. Achieve atmospheric perspective by adding blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the background
  • →Making the waterfall look static
  • →Using colors that are too bright or saturated
  • →Ignoring the value structure and creating a flat image

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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