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home·artworks·The old Stubb
The old Stubb by Polychronis Lembesis

plate no. 9072

The old Stubb

Polychronis Lembesis, 1898

oilRomanticismportraitportraitmanfigureclothingwalking stick
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and placement on the canvas.

  2. step 02

    Block in the main shapes of the background, clothing, and skin tones with thin washes of color.

  3. step 03

    Begin building up the values in the face, paying close attention to the light and shadow patterns.

  4. step 04

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, adding depth and texture with darker values and subtle highlights.

  6. step 06

    Paint the hands and walking stick, paying attention to their form and texture.

  7. step 07

    Adjust the background to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix skin tones using titanium white, yellow ochre, burnt sienna, and a touch of ultramarine blue. Achieve darker values by adding ivory black or raw umber to the base colors. Use ultramarine blue and ivory black to create a neutral grey for the background.

techniques

  • ·portraiture
  • ·value studies
  • ·scumbling
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the figure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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