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home·artworks·The old ship, Williamstown
The old ship, Williamstown by Frederick McCubbin

plate no. 9388

The old ship, Williamstown

Frederick McCubbin, 1915

oilImpressionismmarinaboatswaterbuildingsdocksskyindustrial
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of aged structures with visible brushstrokes. It also provides practice in depicting reflections in water and suggesting detail rather than rendering it precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the boats, buildings, and horizon line.

  2. step 02

    Establish the basic color blocks for the sky, water, and land, using thin washes.

  3. step 03

    Build up the texture of the buildings and boats with thicker paint and visible brushstrokes.

  4. step 04

    Add details to the boats and buildings, focusing on suggesting rather than precisely rendering.

  5. step 05

    Create the reflections in the water by mirroring the colors and shapes above, using horizontal strokes.

  6. step 06

    Refine the sky with subtle color variations to create depth.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of light.

  8. step 08

    Soften edges and blend colors where needed to create a cohesive and atmospheric effect.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · payne's gray

Achieve the muted tones by mixing the primary colors with raw umber and white. Use small amounts of blue to create the sky and water, and yellow ochre and burnt sienna for the buildings and boats.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Creating overly saturated colors
  • →Ignoring the atmospheric perspective
  • →Making reflections too perfect

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to achieve color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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