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home·artworks·The Old Oak
The Old Oak by Jules Dupre

plate no. 3519

The Old Oak

Jules Dupre, 1870

oilImpressionismlandscapetreeslandscapeskycloudsfieldfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of foliage with loose brushwork. It also provides practice in creating a dynamic sky and suggesting depth in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main tree and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Establish the base colors of the landscape, paying attention to the overall value structure.

  4. step 04

    Begin adding details to the tree, using varied brushstrokes to suggest leaves and branches.

  5. step 05

    Develop the foreground with textured brushwork, adding details to the grass and rocks.

  6. step 06

    Refine the sky, blending the clouds and adding highlights.

  7. step 07

    Add the figure and other small details to enhance the sense of scale and depth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·wet-on-dry layering

common pitfalls

  • →Overworking the details, losing the loose and impressionistic feel.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Using colors that are too saturated, diminishing the atmospheric effect.
  • →Neglecting the importance of edges, making the painting look too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to create color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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