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home·artworks·The Old Mill (vieux Moulin)
The Old Mill (vieux Moulin) by Theodore Robinson

plate no. 7886

The Old Mill (vieux Moulin)

Theodore Robinson, 1892

oilImpressionismlandscapebuildingslandscapefenceroadtreeshill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light. Students will also learn to simplify complex forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, road, and hill using light pencil lines.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin adding details to the buildings, focusing on the shapes of the roofs and walls.

  4. step 04

    Paint the road using a variety of light and warm colors to create a sense of depth and texture.

  5. step 05

    Add the fence, paying attention to the perspective and spacing of the posts.

  6. step 06

    Paint the trees and foliage using broken color techniques to create a sense of movement and light.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · viridian · cadmium red light · ultramarine blue

Mix various shades of gray and beige by combining white, raw umber, and a touch of yellow ochre. Use burnt sienna and cadmium red light for the roof tiles, and viridian and ultramarine blue for the foliage.

techniques

  • ·broken color
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the value structure
  • →Failing to establish a focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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