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The Old Man by Constantin Artachino

plate no. 9928

The Old Man

Constantin Artachino

oilImpressionismportraitportraitfiguremanhatwalking stickbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in visible brushwork and creating a sense of age and character.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, hands, and walking stick.

  2. step 02

    Establish the overall dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the face, hat, clothing, and hands, using a limited palette of earth tones.

  4. step 04

    Begin to build up the form of the face, paying attention to the highlights and shadows to create depth.

  5. step 05

    Add details to the eyes, nose, and mouth, capturing the character of the old man.

  6. step 06

    Work on the hands and walking stick, adding texture and detail to create a sense of realism.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a cohesive and balanced image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black. Add small amounts of cadmium red to warm up the skin tones and hat.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·chiaroscuro
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to capture the likeness of the old man.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish the dark background more easily.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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