apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Old Grognard recounting his Epics
The Old Grognard recounting his Epics by Nicolas Toussaint Charlet

plate no. 2958

The Old Grognard recounting his Epics

Nicolas Toussaint Charlet

watercolorRomanticismgenre paintingfigureschildrenbuildingstorytellingclothingfolklore
some experience helpful

Recreating this painting will help students develop skills in figure drawing, watercolor layering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the nuances of facial expressions and gestures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the main figures and the building structure.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to establish the base tones of the building and ground.

  3. step 03

    Begin layering in the darker tones of the figures' clothing, using diluted black and indigo for the woman's dress and the man's hat.

  4. step 04

    Paint the skin tones with a mix of white, yellow ochre, and a touch of red, building up the shadows gradually.

  5. step 05

    Add details to the faces, focusing on the eyes, nose, and mouth to capture their expressions.

  6. step 06

    Paint the background elements, such as the trees and sky, using diluted blues and greens to create a sense of depth.

  7. step 07

    Refine the details of the figures' clothing and accessories, adding highlights and shadows to create form.

  8. step 08

    Add final touches, such as the broom and the walking stick, to complete the composition.

color palette

primary · yellow ochre · burnt sienna · indigo · ivory black

secondary · cadmium red light · cerulean blue · raw umber

Mix diluted washes for the initial layers and gradually increase the pigment concentration for the darker tones. Use a touch of red to warm the skin tones and a touch of blue to cool the shadows.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Using too much water and losing control of the washes
  • →Not establishing a clear value structure
  • →Ignoring the proportions of the figures

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (tube or pan)
  • ·Watercolor paper (140lb cold press)
  • ·Round watercolor brushes (sizes 2, 6, 10)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil (2B or HB)
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke