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home·artworks·The Old Church by the River
The Old Church by the River by Frits Thaulow

plate no. 2455

The Old Church by the River

Frits Thaulow

oil, canvasImpressionismlandscaperivertreeschurchbuildingslandscapereflections
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and creating depth through atmospheric perspective. It also provides practice in rendering foliage and architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church, trees, and river.

  2. step 02

    Establish the sky and background colors with thin washes.

  3. step 03

    Block in the main shapes of the church and buildings, paying attention to their relative sizes and positions.

  4. step 04

    Paint the river using horizontal brushstrokes and varying shades of blue, green, and gray to create the illusion of movement and reflections.

  5. step 05

    Add the trees, starting with the larger trunks and branches, then adding smaller twigs and leaves.

  6. step 06

    Develop the foreground details, such as the grass, flowers, and wooden structure.

  7. step 07

    Refine the details of the church and buildings, adding windows, doors, and other architectural elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · payne's gray

Mix greens by combining yellow ochre and ultramarine blue, and adjust the value and intensity with white or burnt umber. Create the water reflections by using a slightly darker and desaturated version of the colors in the scene above.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details, which can result in a stiff and unnatural look.
  • →Failing to capture the subtle color variations in the water.
  • →Creating too much contrast, which can flatten the image.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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