apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The offering
The offering by Saturnino Herran

plate no. 1944

The offering

Saturnino Herran, 1913

oilArt Nouveau (Modern)genre paintingfiguresflowersboatwaterchildrenmarket
experienced study

Recreating this painting will help students develop skills in figure painting, color mixing for realistic skin tones, and creating depth through atmospheric perspective. It also provides practice in rendering complex textures like flowers and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of figures and the boat.

  2. step 02

    Block in the main color areas, starting with the background and working towards the foreground.

  3. step 03

    Begin refining the shapes of the figures, paying attention to proportions and anatomy.

  4. step 04

    Mix and apply skin tones, using subtle variations in color and value to create depth.

  5. step 05

    Paint the flowers, using short, broken brushstrokes to capture their texture.

  6. step 06

    Add details to the clothing and other elements, such as the boat and the water.

  7. step 07

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium orange

secondary · ultramarine blue · viridian green · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of red or blue for subtle variations. Mix greens by combining ultramarine blue and yellow ochre or viridian green.

techniques

  • ·figure drawing
  • ·color mixing
  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures
  • →Muddy or unrealistic skin tones
  • →Overworking the details
  • →Ignoring the atmospheric perspective
  • →Flat or lifeless flowers

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois