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home·artworks·The Oaks of Vernon
The Oaks of Vernon by T. C. Steele

plate no. 5397

The Oaks of Vernon

T. C. Steele, 1887

oil, canvasImpressionismlandscapetreeslandscapewaterskycowsfield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, impressionistic brushstrokes to capture the essence of the scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, horizon line, and water.

  2. step 02

    Establish the sky with a thin wash of light gray and subtle variations.

  3. step 03

    Block in the large shapes of the trees and foliage with broad strokes, using a mix of greens, browns, and reds.

  4. step 04

    Define the water area with darker tones, reflecting the sky and surrounding landscape.

  5. step 05

    Add details to the trees, such as branches and leaves, using smaller brushes and varied colors.

  6. step 06

    Develop the foreground with grasses and vegetation, paying attention to the play of light and shadow.

  7. step 07

    Introduce the cows as small, simplified shapes in the middle ground.

  8. step 08

    Refine the overall composition and add final touches to enhance the impressionistic feel.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Create browns by blending burnt umber, yellow ochre, and cadmium red. Achieve atmospheric perspective by lightening colors with titanium white as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating overly saturated colors that appear unnatural.
  • →Failing to establish a clear sense of depth and perspective.
  • →Not varying brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, sap green, titanium white, cadmium red, ultramarine blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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