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home·artworks·The Oak Grove, Bridgnorth, Shropshire
The Oak Grove, Bridgnorth, Shropshire by Philip Wilson Steer

plate no. 6786

The Oak Grove, Bridgnorth, Shropshire

Philip Wilson Steer

oilImpressionismlandscapetreesforestlandscapefoliagelightshadow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the interplay of light and shadow within a complex scene. It also provides practice in simplifying complex forms into basic shapes and tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and the horizon line, focusing on composition.

  2. step 02

    Block in the sky with a thin wash of blues and whites.

  3. step 03

    Establish the dark areas of the tree trunks and shadows on the ground with a dark brown or umber.

  4. step 04

    Begin layering greens for the foliage, starting with darker shades and gradually adding lighter highlights.

  5. step 05

    Use short, broken brushstrokes to create the texture of the leaves and branches.

  6. step 06

    Add highlights to the tree trunks and foliage where the light is hitting them.

  7. step 07

    Refine the details of the foreground, adding texture and variation to the grass and shadows.

  8. step 08

    Adjust the overall values and colors to create a sense of depth and atmosphere.

color palette

primary · sap green · raw umber · cerulean blue · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix greens by blending blues and yellows with varying amounts of white. Use raw umber and burnt sienna to create the dark tones of the tree trunks and shadows. Add white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the background, flattening the sense of depth.
  • →Not varying the greens enough, resulting in a monotonous foliage.
  • →Failing to capture the subtle shifts in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Using a slightly textured canvas can help to create a more impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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