apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Notre-Dame des Champs
The Notre-Dame des Champs by Walter Sickert

plate no. 7501

The Notre-Dame des Champs

Walter Sickert

oilImpressionismcityscapecityscapebuildingsstreetsignsreflectionsfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in mixing muted colors and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Establish the darkest darks and lightest lights to create contrast.

  4. step 04

    Add details to the buildings and signs, using small, broken brushstrokes.

  5. step 05

    Create the reflections on the street by mirroring the colors and shapes of the buildings above.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add the figure in the street with a few simple strokes.

  8. step 08

    Refine details and adjust values as needed.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow

Mix muted grays and purples by combining ultramarine blue, burnt umber, and white. Use yellow ochre and cadmium yellow for the warm highlights and reflections.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →overworking the painting
  • →getting bogged down in details
  • →not establishing a strong value structure
  • →making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to create a harmonious color scheme. Thin the paints with linseed oil or mineral spirits for easier blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann