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home·artworks·The Nile in Juba
The Nile in Juba by Iman Shaggag

plate no. 7436

The Nile in Juba

Iman Shaggag, 2015

oil, paperImpressionismlandscapewatertreesrockslandscapefoliagereflections
some experience helpful

Recreating this painting will help students develop skills in capturing reflections and creating depth using color temperature and value. It's also a good exercise in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the shoreline, and the large rocks.

  2. step 02

    Block in the sky with a thin wash of light gray.

  3. step 03

    Establish the dark masses of the trees using a mix of dark green and brown.

  4. step 04

    Paint the water with horizontal strokes, varying the color from light gray to green and blue.

  5. step 05

    Add the reflections of the trees and rocks in the water, using slightly darker and more muted tones.

  6. step 06

    Define the rocks with highlights and shadows, using a mix of browns, purples, and oranges.

  7. step 07

    Add details to the foliage with short, broken brushstrokes.

  8. step 08

    Refine the edges and add final highlights to create a sense of depth and atmosphere.

color palette

primary · titanium white · viridian green · burnt umber

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix greens by combining viridian green with cadmium yellow or burnt umber. Achieve grays by mixing titanium white with small amounts of ultramarine blue and burnt umber. Create the rock colors by mixing burnt umber, alizarin crimson, and titanium white.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the reflections too bright or too sharp.
  • →Not varying the color temperature and value enough to create depth.
  • →Using too much paint and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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