apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The New Pond in the Tiergarten, Berlin
The New Pond in the Tiergarten, Berlin by Lovis Corinth

plate no. 6411

The New Pond in the Tiergarten, Berlin

Lovis Corinth, 1908

oilImpressionismlandscapewaterflagstreesbuildingsreflectionsfigures
experienced study

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing reflections in water. It also encourages simplification of complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, water line, and flags.

  2. step 02

    Establish the main color blocks for the sky, trees, water, and building using thin washes.

  3. step 03

    Begin adding darker values to define the shadows and create depth in the trees and building.

  4. step 04

    Develop the reflections in the water, paying attention to color and value relationships.

  5. step 05

    Add the flags, simplifying their shapes and colors.

  6. step 06

    Use thicker paint and bolder brushstrokes to create texture and detail in the foreground and building.

  7. step 07

    Refine the details and add highlights to create a sense of light and atmosphere.

  8. step 08

    Add final touches to the reflections and adjust values as needed.

color palette

primary · Prussian blue · Cadmium red · Yellow ochre · Titanium white

secondary · Burnt umber · Sap green · Ivory black

Achieve the greens by mixing Prussian blue and Yellow ochre. Use Burnt umber and Ivory black to create the darker tones for the building and shadows. Mix white with primary colors to create lighter tints for the sky and reflections.

techniques

  • ·Impasto
  • ·Wet-on-wet blending
  • ·Broken color
  • ·Scumbling
  • ·Layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to capture the correct value relationships in the reflections.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Not simplifying the complex shapes and details of the building and trees.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Cadmium red, Yellow ochre, Titanium white, Burnt umber, Sap green, Ivory black)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann