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home·artworks·The Nativity
The Nativity by Lorenzo Lotto

plate no. 2588

The Nativity

Lorenzo Lotto, 1527

oil, panelHigh Renaissancereligious paintingfiguresbabyreligious sceneinteriornativityclothing
experienced study

Recreating this painting will help students understand chiaroscuro and how to create a focal point using light. It will also improve their ability to paint figures in complex poses and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Sketch the basic composition, focusing on the placement of the figures and the light source.

  3. step 03

    Block in the large shapes of the figures and drapery with dark, muted colors.

  4. step 04

    Begin to build up the highlights on the figures, using lighter tones of the base colors.

  5. step 05

    Carefully blend the highlights and shadows to create a sense of volume and depth.

  6. step 06

    Add details to the faces and hands, paying attention to the subtle variations in skin tone.

  7. step 07

    Refine the drapery folds and add texture to the background.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the luminosity.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the dark shadows by mixing umber and black. Use glazes of red and blue to add depth to the drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·damar varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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