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home·artworks·The National Game
The National Game by Arthur Streeton

plate no. 5624

The National Game

Arthur Streeton, 1889

oilImpressionismgenre paintingfiguresfieldskybuildingspolessunset
some experience helpful

This painting is great for learning how to simplify complex scenes into basic shapes and using a limited palette to create a harmonious color scheme. It also provides practice in capturing atmospheric perspective and creating a sense of depth with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, position of the poles, and the general shapes of the buildings and figures.

  2. step 02

    Block in the sky with a thin wash of pinks, purples, and grays, blending the colors softly.

  3. step 03

    Paint the distant buildings using dark browns and grays, keeping the details minimal.

  4. step 04

    Establish the field with a base layer of muted green, varying the tones slightly to suggest undulation.

  5. step 05

    Add the figures using simple shapes and blocks of color, focusing on their silhouettes and positions.

  6. step 06

    Paint the poles with vertical strokes of brown and gray, adding subtle highlights and shadows.

  7. step 07

    Refine the details of the figures and buildings, adding small touches of color and texture.

  8. step 08

    Adjust the overall values and colors to create a sense of atmospheric perspective and depth.

color palette

primary · titanium white · raw umber · alizarin crimson

secondary · ultramarine blue · yellow ochre

Mix muted greens by combining raw umber, yellow ochre, and a touch of ultramarine blue. Achieve the sky colors by blending titanium white with alizarin crimson and ultramarine blue. Use raw umber and titanium white for the poles.

techniques

  • ·blocking in
  • ·dry brushing
  • ·atmospheric perspective
  • ·simplification
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures too detailed or realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a fine texture to allow for smooth blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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