
plate no. 4583
John William Waterhouse, 1917
Recreating this painting will help students develop skills in layering, glazing, and creating atmospheric perspective. It also provides practice in rendering figures and animals in a dynamic composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures, deer, and trees.
Establish the overall value structure with a thin wash of burnt umber or raw sienna.
Block in the main colors of the background, focusing on the dark tones of the forest.
Begin layering in the colors of the figures, starting with the underpainting and gradually adding details.
Paint the deer, paying attention to the subtle variations in color and value.
Add details to the trees and foliage, using dry brush techniques to create texture.
Glaze over the painting with thin layers of color to unify the composition and create depth.
Add final highlights and details to the figures and deer.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · alizarin crimson · ultramarine blue · yellow ochre · viridian green
Achieve the muted tones by mixing earth tones with small amounts of blues and reds. Use glazes of transparent colors to create depth and luminosity.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (18x24 or 20x24) is recommended.
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