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home·artworks·The Mulberry Tree
The Mulberry Tree by Henry Herbert La Thangue

plate no. 0802

The Mulberry Tree

Henry Herbert La Thangue

oilImpressionismlandscapetreesealandscapefoliageskyshore
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. It's also good practice for painting foliage with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, shoreline, and horizon line.

  2. step 02

    Establish the sky with light blue and white, blending softly.

  3. step 03

    Block in the sea with varying shades of blue and green, creating a sense of depth.

  4. step 04

    Paint the distant mountains with muted blues and grays to suggest atmospheric perspective.

  5. step 05

    Add the basic shapes of the tree trunk and branches with browns and grays.

  6. step 06

    Apply layers of greens, yellows, and browns to create the foliage, using short, broken brushstrokes.

  7. step 07

    Define the shoreline with a mix of greens, browns, and blues, adding details like grass and small bushes.

  8. step 08

    Add final details like the boat, the distant sailboat, and highlights on the foliage.

color palette

primary · cerulean blue · yellow ochre · titanium white · raw umber

secondary · sap green · burnt sienna

Mix greens by combining yellow ochre and cerulean blue. Create muted tones by adding a touch of raw umber to your colors. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·alla prima

common pitfalls

  • →Overworking the foliage, resulting in a dense, unnatural look.
  • →Failing to create a sense of depth in the sea and sky.
  • →Using colors that are too saturated, making the painting appear unrealistic.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (cerulean blue, yellow ochre, titanium white, raw umber, sap green, burnt sienna)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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