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home·artworks·The Morning of the Resurrection
The Morning of the Resurrection by Edward Burne-Jones

plate no. 2659

The Morning of the Resurrection

Edward Burne-Jones, 1882

oilRomanticismreligious paintingfiguresangelsJesustomblandscapereligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of ethereal light. It also provides practice in mixing subtle color gradations to achieve a soft, dreamlike atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and tomb, paying attention to proportions and placement.

  2. step 02

    Block in the background with thin washes of color, establishing the overall tone.

  3. step 03

    Begin layering colors on the figures, starting with the shadows and gradually building up the highlights.

  4. step 04

    Focus on rendering the drapery, observing how the fabric folds and drapes around the figures.

  5. step 05

    Add details to the faces and hands, paying attention to the subtle expressions.

  6. step 06

    Refine the background details, adding texture and depth to the landscape.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · alizarin crimson · viridian

Achieve the ethereal colors by mixing white with small amounts of raw umber, yellow ochre, and touches of blue or crimson. Use glazes of diluted color to create subtle shifts in tone.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and creating a harsh, unrealistic effect.
  • →Failing to accurately render the proportions of the figures.
  • →Ignoring the subtle shifts in value and color that create depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·viridian oil paint

Use high-quality oil paints for best results. Thin the paints with linseed oil to create glazes.

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