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home·artworks·The Moon and Sleep
The Moon and Sleep by Simeon Solomon

plate no. 8575

The Moon and Sleep

Simeon Solomon, 1894

oil, canvasRomanticismmythological paintingfiguresmoonskyportraitmythology
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle shading, as well as creating a sense of atmosphere through blended backgrounds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the moon.

  2. step 02

    Block in the background with a dark blue, blending it smoothly to create a sense of depth.

  3. step 03

    Establish the basic skin tones for the figures, using a mix of browns, reds, and white.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Add highlights and shadows to the figures to create a sense of volume and form.

  6. step 06

    Paint the moon with a soft, diffused light, blending the edges to create a halo effect.

  7. step 07

    Add the stars in the background with small dots of white paint.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Achieve the skin tones by mixing burnt umber, yellow ochre, cadmium red, and titanium white. Use ultramarine blue and ivory black for the dark background. Add white to the blue to create the lighter areas of the sky.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, leading to a muddy or unnatural appearance.
  • →Failing to create a smooth transition between the background colors.
  • →Getting the proportions of the facial features wrong.
  • →Making the moon too bright or harsh.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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