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home·artworks·The Monk's Welcome
The Monk's Welcome by Thomas Stuart Smith

plate no. 8983

The Monk's Welcome

Thomas Stuart Smith, 1867

oilRomanticisminteriorinteriorfiguresarchitecturedoorwaylightshadow
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow within an interior space, as well as creating atmospheric perspective. It also provides practice in rendering figures in varying degrees of detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural elements and figure placement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Focus on accurately capturing the light source and how it affects the surfaces within the interior.

  4. step 04

    Gradually build up the details, starting with the most important areas like the figures and the doorway.

  5. step 05

    Pay attention to the subtle color variations in the shadows and highlights.

  6. step 06

    Refine the edges and details, adding texture where appropriate.

  7. step 07

    Add the figures, paying attention to their form and how they interact with the light.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use ultramarine blue to cool down the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·blocking in

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the light source and its effects.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a canvas with a smooth texture to facilitate blending and glazing. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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